Category: Creativity

Staying Close to Home

Staying Close to Home

Staying. It’s a word that sums up what I’ve been practicing for the past year, both on and off the meditation cushion.

On the cushion: staying present to what is right here, including the challenging emotions that arise. Investigating a little deeper instead of resisting, fleeing, or fantasizing about being somewhere else. 

Off the cushion, in daily life: staying close to home and exploring what’s right here. Taking a closer look. Sure, there were places I wanted to travel to. However, with everything going on, it felt more right to stay close to home.

I thought of it as an experiment. In lieu of traveling, I explored the natural areas around me: the river, local parks and hiking trails, and the town I live in.

What I’ve found by experimenting with staying is that it leads to great freedom and appreciation. What liberation is greater than the capacity to be content right where you are, with things as they are, right now, no matter what is going on? When you can access that, any goal, destination, or striving is just icing on the cake. You don’t rely on such things to provide a sense of fulfillment that is absent in the present moment. Happiness is here and now. And you can carry it with you into whatever you pursue and wherever you go.

Returning

I grew up in Saratoga Springs, a small city in Upstate New York that has received numerous national accolades. Slogans like “Saratoga: The Summer Place to Be” made it feel like the center of the universe! I went away for college and after graduating spent the next 12 years moving around. Naturally, as my worldview expanded, I considered how my hometown fit into it. During those years away, I adopted a stereotyped image of Saratoga Springs and swore I’d never move back. However, that changed when I was raising two young children. 

I returned to the area 21 years ago, which allowed my children to grow up with extended family nearby. They were close to their grandparents and great-grandmother. I sought out kindred spirits and experienced Saratoga in a new way. And I stayed.

As I’ve discovered when my meditation practice has lapsed throughout the years, sometimes the value of getting away from something is eventually realizing what it contributes to your life. Then you can return in a more intentional way, with gratitude and a sense of this is part of who I am. Returning to Saratoga Springs as an adult gave me the freedom to perceive and interact with it in different ways.

For the past 12+ years, I’ve lived on the Hudson River less than ten miles from Saratoga Springs. When I was growing up, my family didn’t engage in nature-based activities or venture out this way. It’s hard to believe I lived so close to the river all those years and never experienced it. Living on the river, I appreciate being able to visit Saratoga Springs on my terms, with plenty of breathing room from the summer tourism.

The summer of 2020, however, was different than any other summer.

A Path Back Home

Aside from working at the library and filling up my water jugs at the State Seal Spring, I tended to avoid Saratoga Springs during the summer, when it was overrun with tourists, and it was notoriously difficult to find parking. However, during the summer of 2020, both the Saratoga Performing Arts Center and the racetrack were closed to the public, so there were far fewer tourists in town. Even with more locals flocking to the parks, it was quieter than usual.

It was an invitation to explore.

The uncertainty and groundlessness of the time drew me to sources of stability, which I found in nature: birdsong, flowers coming up on schedule as they do every year, the sound of spring peepers across the river, the nighttime sky, and so much more. Nature provided a variety of anchors that awakened me from the trance of thought and brought me back to the present moment many times a day.

The geographical landmarks from my childhood called to me in ways they hadn’t before. I made frequent visits to the Saratoga Spa State Park to investigate and appreciate more deeply the natural resources that had served as the backdrop of my childhood. During 2020, I spent a lot of time on the Vale of Springs trail, which I started to regard as “the path back home”. There was something deeply comforting about returning to what had been present in the background all my life and had drawn people to the area for centuries. It gave me a sense of stability in a time that felt so unstable.

At first, I was drawn to the Geyser Island Spouter, a mineral spring that over time created a large, stage-like tufa (mineral deposit). I sat meditating at the edge of the creek on the back side of the Island Spouter, and it felt wonderful there. I loved the sound of the water and the energy in the air. Locals often speak of lithium being in the air in that area. I don’t know why the energy there felt so good, but I kept returning.

One day, I showed up and saw several people on the tufa. A park docent was standing by, and I asked if there was a special event going on because I’d never seen people on the tufa. He said it wasn’t an event, and it was okay to go on it. That was the first time I photographed the spouter up close, and the lighting was incredible. 

I went back a number of times, until eventually there was a sign saying the tufa was off-limits, to protect our natural resources. So instead of going on the tufa, I explored the sides of it from the creek: the different colors and textures. I examined and photographed practically every accessible inch of that tufa.

I was intrigued by how the mineral water transforms whatever it comes in contact with – whether rock, leaves, or people. In this spirit, I explored the other mineral springs in the park. I was introduced to the Tallulah Spring during a photography session with Hannah, a kindred spirit around my daughter’s age. I’d never noticed Tallulah before because she’s a little more tucked in. While wandering through the woods trying to find Hannah and Tallulah, I heard the sound of bagpipes in the distance, which felt otherworldly. Tallulah has since become my favorite spring.

I had been unsure about the direction I wanted to take with my “people” photography, and after photographing Hannah around the mineral springs that day, I became passionate about photographing women in harmony and spiritual connection with nature. That’s how my Women of Light photography began, with Hannah at Tallulah after hearing the sound of bagpipes in the woods.

The Saratoga Spa State Park became one of my primary refuges of 2020. I ended up taking hundreds of photographs of the mineral springs and the Vale of Springs trail. I decided to make the mineral springs the subject of my upcoming photography exhibit at the Saratoga Springs Train Station in June and July and named the exhibit A Path Back Home.

2020 put me on a path back home both literally and metaphorically…to the natural treasures of my hometown and to my truest, most awake self.

The 53 Project

Through the practice of staying and simplifying, 2020 was a year that changed the trajectory of my life. It was a year of being nurtured by nature and having the breathing room to discover a true sense of life purpose – and shift into LIVING it. Out of presence and stillness, I discovered what was most important and was drawn to the situations and people that resonated most.

I was nurtured by: walking the labyrinth in the park down the road, kayaking on the river in front of my house, exploring local parks and nature trails with my granddaughter, taking walks with my husband, photographing women in harmony with nature, and connecting with networks of kindred spirits.

I also fell more deeply in love with flowers, ferns, water lilies, herons, the way trees on the riverside appeared to be circulating light, sparkles of sunlight on the river, willows and birches, misty sunrises, the freezing river, and the swan on the river.

I wanted needed to honor all this artistically.

At the end of 2020, I intended to create a video of my favorite images from the year. At one point, I selected the images for it. However, my plate was very full, and before I knew it, February was nearly over. Perhaps that ship had sailed.

However, a few days before my March 1st birthday, an idea seized me: Why not create a visual meditation of the images that awakened my heart the year I was 53, from March 2020 through February 2021? So that’s what I did. I created two versions: one with images and background music and another that includes me reading poetry I wrote during that time period

Staying and allowing has been an amazing practice. The two greatest resources that helped me through the turbulence of 2020 were my meditation practice and spending time in nature close to home: two different ways of staying. Both were invitations to return again to what is right here and become more intimate with it. To discover and deepen the pathway back home to what is most abiding and nourishing. To stay instead of run away into distractions, for everything that arises within us and around us is a portal for awakening.

I invite you to watch the video here:

Note: The words in this version express my truth while navigating all the unfamiliar situations and challenges of 2020. If the words do not resonate with you, you might prefer the wordless version.


© 2021 Susan Meyer. All rights reserved. You are welcome to share this post or excerpts of it as long as you give proper credit to Susan Meyer and SusanTaraMeyer.com. Susan Meyer is a photographer, writer, and spiritual teacher who lives on the Hudson River in Upstate New York.

Leaf Man Inspired Nature Portraits

Leaf Man Inspired Nature Portraits

Well, whaddaya know? I’m teaching again. Thought I’d never do it. Even vowed I’d never do it again. But over the summer, one of my oldest and dearest friends planted a seed in my mind. He insisted, “Susan, you might not think so, but you are a TEACHER.” It’s not what I wanted to hear. I argued that I’m excited about the more holistic direction I’m taking with clutter coaching, Reiki, feng shui, and mindfulness mentoring. I’m done with teaching. Then he suggested that I at least consider working with young children as a menu item. I listened to what he had to say. After we hung up, there was a funny feeling inside me that made me think he might be right, even though I convinced myself otherwise for quite some time.

A few weeks later, that seed was watered by an intriguing job post another friend sent along that made me light up when I read it. I went straight to the computer and composed a cover letter that essentially wrote itself, and sent it off the next day.

To make a long story short, I got the job and am running a preschool program at our local library! I’m glad my two friends acted on their intuition because it seems to be a perfect fit. It’s a part-time position that allows me to do what I loved most about teaching: Helping children to love learning and books and to feel good about themselves. Incorporating lots of literature-based art and nature projects that build kindergarten readiness skills across the curriculum.

The elements I disliked about public school education don’t apply to this job. I’m not the only adult in the room and have LOTS of assistance because the parents/grandparents/caregivers stay for the program! And there’s no formal assessment. As a kindergarten teacher, it broke my heart to see my students’ self-esteem suffer because they weren’t ready for the “new” kindergarten expectations. I jumped on the library position because it would allow me to: 1) prepare children for kindergarten in developmentally appropriate ways, and 2) model skills and activities to the adults in their lives, who can do so much at home to support their child’s learning. 

I love that I can be a positive influence in the lives of young children and families again, in a much more supported way than when I was a public school kindergarten teacher. It’s wonderful to stick a toe back into the world of early childhood education, in a way that allows me to focus on my other interests, as well. 

The moral? If your intuition nudges you to deliver a message to someone, DO IT! Don’t think it’s silly and shrug it off. The Universe might need you to help plant a seed that will make a positive difference in their life. It might be exactly what they need to hear to help a new path unfold. 

In celebration of my return to working with “the littles” and my favorite season, here’s an activity inspired by the children’s picture book, Leaf Man, in which all the illustrations are made from autumn leaves. It’s also inspired by my favorite early childhood educator/blogger, Sally Haughey of Fairy Dust Teaching. A picture on one of Sally’s blog posts caught my eye, and I developed it into a literature-based art and science activity I did with my preschoolers this week. It would work with older children, too. (I even had fun with it on my own, as you might be able to tell from these pictures!) 

How to Make Leaf-Man Inspired Nature Portraits

Materials:
  • A few wooden frames (without glass; I used 8×10, 11×14, and 5×7)
  • Pieces of cardboard, fabric, or paper in natural skin tones
  • Assortments of natural objects, such as:
    • A variety of autumn leaves
    • Pinecones of different shapes
    • Acorn tops and acorns (it’s nice to include some very tiny acorns still stuck inside their top, too)
    • Short pieces of sticks (only an inch or two long)
    • Feathers
    • Shells
    • Small stones
    • Pieces of hazelnut shells
    • Maple seed wings (“helicopters”)
    • Indian corn kernels
    • Naturally dyed wool
 
Procedure:

Arrange each category of natural objects into its own container, and place them so they are within reach of the children as they work.

Each child gets a frame with some kind of backing paper or fabric canvas underneath it. Simply allow them to create pictures of people, animals, trees, etc. using the natural materials in different arrangements.

This is an opportunity to use directional words (i.e. above, below, next to) and talk about body parts, colors, size, numbers of parts, etc. It’s also an invitation to observe and identify natural objects and to discuss the changes trees go through.

Allow them freedom of creativity!

They might even want to take a little break and observe how maple wings, feathers, and different kinds of leaves twirl, tumble, and otherwise make their way to the ground. 

Here are some Nature Portraits my three- and four-year-old students made:


© 2018 Susan Meyer. All rights reserved. To use any or all of this article, include this exactly: Susan Meyer (SusanTaraMeyer.com) is a photographer, writer, clutter coach, feng shui consultant, and mindfulness teacher whose work is infused with a deep interest in the nature of mind and appreciation of the natural world. She lives on the Hudson River in Upstate New York.

Back in Balance

Back in Balance

It’s been a while since I’ve balanced rocks by the sea, which is one of my favorite things to do. Right now, I’m visiting my relatives on the Sunshine Coast of British Columbia. It’s the first time I’ve made it to either coast this year. 

It’s been 2-1/2 years since I last visited my Canadian relatives, and it’s great to be back. I’m so glad I didn’t cancel my trip, which is what seemed inevitable last week due to personal stuff, over-scheduling, and Air Canada changing my travel itinerary in a big way. I called to request that they change my itinerary to something more reasonable than having a 12-hour, overnight layover in Chicago. However, the rep said I’d have to pay a $100 change fee in addition to any price difference. I made my flight reservations back in March, and this would nearly double what I paid originally.

When I considered canceling my trip, pictures of my Vancouver-area relatives on my vision board reminded me how important it is to connect with them. I went away for my group retreat weekend immediately before my scheduled trip, and a few dear women there encouraged me to call Air Canada again and speak with a different rep. They also pointed out that leaning into the drama is an Enneagram Four pattern that I might want to be aware of. Perhaps do something different. Get a little distance from it, and avoid letting other people’s issues stop me from doing what’s best for me!

I took their advice and called Air Canada, and everything was resolved easily without any extra charges. I thanked the rep profusely and felt so happy that I could visit my beloved relatives! My cousin generously offered to pick me up from Vancouver airport, which simplified travel plans greatly. 

We spent some time enjoying Granville Island and Stanley Park in Vancouver before taking the ferry to the Sunshine Coast. The timing was perfect for an incredible sunset on the Strait of Georgia.

There is a rocky beach about a 10-minute walk from my relatives’ house where I enjoyed balancing rocks during my previous stay. I never see anyone on that beach. It’s like my own, private playground, and it’s awesome.

I noticed a starfish on the beach and picked it up along with some rocks that caught my eye. My first balance of the year was a fun warmup that featured the starfish.

The next day, it rained lightly the whole time I was on the beach. But I was determined to balance a particular rock that was shaped a bit like the state of Texas. 

This balance wasn’t as cool as the previous day’s starfish balance. If you knew how long it took to accomplish it, you’d probably wonder if it was worth it or if I didn’t have something better to do with my time.

Well, it was totally worth it! In my heart, I KNEW it could be balanced and never allowed myself to believe it couldn’t. I just knew. I was patient, determined, and really tuned in to the energy and engaged my sense of feeling rather than my dominant sense of seeing. But the main thing is that I believed this rock could and would be balanced and didn’t give up.

Balancing rocks teaches me that if I believe in something and don’t allow doubts or distractions to creep in and stop me, I can do it. Not just rocks. Goals in general. That’s why balancing rocks is so gratifying!

And that’s great. But you know what can totally ruin it? Comparing our accomplishments to others.

I’m connected with a lot of stone balance artists, including the legendary Michael Grab and Peter Juhl, who literally wrote the book about rock balancing art. Whether it’s photography, music, teaching, yoga, rock balancing, finances, or anything else, comparing ourselves to others is a surefire way to put the brakes on any positive momentum you’ve generated toward manifesting your goals. It’s not enough to believe you can. You also have to avoid the temptation to compare your work to others if doing so leaves you feeling not good enough.

It’s great if others’ work can inspire you, but if it brings on feelings of inadequacy, you have to train yourself to stay focused on your own work. Keep your eyes on your own paper, kids! Don’t be concerned with what anyone else is doing or try to keep up with the Joneses. Give your full attention to your own work. Please.

The poet, Rumi, suggested: Let yourself be silently drawn by the strange pull of what you really love. It will not lead you astray. THAT is the energy to engage with, rather than the energy of comparisons and self-doubt that divert your energy and lead you astray.

This morning it’s raining, so I’m writing rather than balancing. However, I hope to have more opportunities to balance rocks by the sea before I return home. Already, I have some new pictures to bring back with me. Photographing my rock balances helps me to remember how it felt to believe I could do it – and then actually do it! Practicing that feeling is as important as practicing your craft. And sharing reminds others that they can, too…which is also important!

© 2018 Susan Meyer. All rights reserved. To use any or all of this article, include this exactly: Susan Meyer (SusanTaraMeyer.com) is a photographer, writer, clutter coach, feng shui consultant, and mindfulness teacher whose work is infused with a deep interest in the nature of mind and appreciation of the natural world. She lives on the Hudson River in Upstate New York.

Deep-Freeze Vision Board Inspiration

Deep-Freeze Vision Board Inspiration

I just completed my first personal growth creative project of the year and am excited to tell you about it! It’s a project that’s ideal for this time of year, not just because of the New Year but because the bitter cold, shorter days present a wonderful opportunity for going inward when it’s too cold to spend much time outdoors. 

I overhauled my vision board so it sparkles with fresh, new energy!

I created my first vision board two years ago. It was a simple one on which I glued pictures and words that inspired me and supported my goals. That year, I focused on abundance and freeing myself from abundance blocks and therefore included several positive affirmations related to prosperity. It was a memorable experience because I completed it before going to bed one night, and I hadn’t even fallen asleep before I received a phone call from my daughter who told me she was in labor! It was perfect timing. 

Later in the year, I created another vision board – a supercharged feng shui version – after returning from a life-transforming trip to visit relatives on the Sunshine Coast of British Columbia. Spending nearly two weeks with them was a profound experience that helped me to better understand myself and where I come from. In the company of relatives who share my love of nature and my affinity for artistic creativity and writing, I experienced a sense of true belonging and being appreciated for who I was, rather than feeling like the family oddball. Finding my tribe right in my family tree changed everything, and a new vision board was in order.

I loved my feng shui vision board! I learned how to make it under the guidance of a mentor who is a feng shui expert, and it’s different from a “typical” vision board because it has separate spaces for each of the nine areas of the bagua:

  • Wealth, Prosperity, and Abundance
  • Fame, Reputation, and Recognition
  • Love and Marriage
  • Family and Community
  • Health and Unity
  • Children, Creativity, and New Beginnings
  • Knowledge and Wisdom
  • Career and Life’s Journey
  • Helpful People and Travel

I put my vision board on the wall next to my bed, and every morning it was the first thing I saw when I woke up. Then I’d bring it downstairs so I’d see it during the day. It was with me day and night, and I even photographed it and printed out a mini version to carry around with me. The energy coming off it was that powerful, and I found it to be a highly motivating tool for creating a more authentic and empowered life. 

As I achieved various goals, I’d remove those pictures/words from the vision board, to make room for new ones and keep it current.

However, I noticed that for the past month or two, my vision board remained on my bedroom wall. The spaces on it made the placement of the remaining pictures and words seem not quite right (visual person that I am), and it just didn’t have the oomph it used to have. I didn’t feel drawn to it because it felt cluttered. There were some pictures and words on it that didn’t resonate anymore, especially in the Career section. Too many different possibilities which made me feel pulled in too many directions. 

Also, I’d recently undergone another big, inner transformation as a result of decluttering my entire home and focusing on mindful self-compassion for the past year. Now it was time to declutter my vision board and infuse it with fresh energy that fit with the new me! 

I used the existing structure to revamp each section, and now it sparkles with inspiring energy again, and it doesn’t stay on my bedroom wall! I enjoy creating simple, daily rituals to keep me focused on what’s most important and recently came up with a new one that features my vision board and feels really good, too!

I love to give myself hand and foot massages and remembered that I have a foot massage roller that I haven’t used in a while and Chinese medicine balls, as well. So I put them under my bed and start the day sitting on the edge of my bed and using the hand and foot massagers while looking at my vision board for a few minutes and reminding myself of what’s most important. Sweeeet!

It’s a great way to get focused first thing in the morning.

Another ritual I enjoy is to look at my vision board while doing my “tea meditation”. (I wrote an article about it.) Essentially, it involves practicing feeling the feelings of attaining my vision board goals as I hold the cup of tea in my hands, and imagining those feelings going into the tea before consuming it. It’s one of my favorite cold weather meditations!

If you’ve never made a vision board, it’s pretty simple to do! It used to be that you’d need a stack of magazines to look through for inspiring words and images, but Google searches make it so much easier to find inspiring images now! Magazines are still good sources of words, but you also can print out words yourself using different fonts and colors. I hold onto the Omega and Kripalu retreat center catalogs that come in the mail, for words and ideas. Hay House and Sounds True have some really great book and audiobook titles that are great for vision boards! And my Inspirational Photo Gallery and Instagram account is filled with “quote pictures” (my latest creative passion!) – some of which I included on my own vision board. There are so many sources of vision board inspiration available!

There are apps to create virtual vision boards, and another option is to create a Pinterest board for a vision board. However, there is value in creating a physical vision board because you only have a limited amount of space to fit what’s most important to you. That cuts out a lot of clutter and can help you stay focused.

Making a vision board is a great cold weather project. I really appreciate this time of year because it’s a time to go inward, get in touch with yourself, and decide what you want to cultivate in your inner garden this year – how you want to expand. If you’re interested, Google “vision boards” for some inspiration, and give it a go! 

© 2018 Susan Meyer. All rights reserved. To use any or all of this article, include this exactly: Susan Meyer (SusanTaraMeyer.com) is a photographer, writer, clutter coach, feng shui consultant, and mindfulness teacher whose work is infused with a deep interest in the nature of mind and appreciation of the natural world. She lives on the Hudson River in Upstate New York.

Spirit Lanterns: Illuminating Aspirations

Spirit Lanterns: Illuminating Aspirations

Happy New Year, everyone!

I’ve been busy planning and setting intentions for 2016 and am stoked to discover a wealth of resources for manifesting goals! I feel like I’ve tapped into a mother load of resources, which brings to mind the adage, “When the student is ready, the teacher appears.” Teachers and active support networks of women coming together virtually to inspire and encourage one another!

For the past few weeks, I’ve been working with a tremendously creative and inspiring tool: Leonie Dawson’s  2016 Create Your Shining Year in Life workbook.

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This workbook is so full of goodness that it would be impossible to describe it with only a few headlines or examples! It begins with wrapping up and reflecting on the previous year and includes a page to list everything you’re grateful for from 2015, which is a great exercise because gratitude is key for moving forward! The rest of the workbook focuses on creating a shining new year in all areas of life by setting inspired goals and listing resources you have to support you along the way. (My favorite page is the self-created list of “Things to Do When Everything Sucks!”) There are pages for affirmations, mottos, and plenty of space for creating a dream board. I’m having so much fun (with my colored Sharpies) brainstorming and imagining, setting intentions and goals, breaking goals into actionable steps, and writing the steps in my day planner. It’s something I can look back at throughout the year to help me stay on track. I’ve never done anything like this before and think it will be a catalyst for serious growth.

I anticipate that various pages in this workbook will inspire blog material throughout the year, but for now I want to start with something simple: choosing a “sacred word for the year”.

When I was teaching, I’d create an elaborate binder for each school year to keep me focused on what was most important and in alignment with my core values and aspirations. The cover of the binder featured a picture embellished with my word for the year. The word served as a compass to help me navigate the year. Since the binder also housed my weekly lesson plans for the whole year, I saw the cover every day and was reminded constantly of the intention I set for the year. It was a powerful tool!

So choosing a “sacred word for the year” was not something new. Before choosing my word for 2016, I made a list of words to consider. I kept the list in my phone and added to it whenever something new came to mind. I finally decided on abundance. Yes, I think it’s high time to expand my horizon and focus on that word!

Truth is, I never made money a priority in my life and was never intentional about it. Money was not something I considered when it came to choosing either a college major or a spouse. It simply didn’t show up on my radar. I lived simply and with some creativity learned how to live on very little. But since resigning from my teaching job, I’ve been doing some conscious work on my attitudes and beliefs about money because I think I’ve been selling myself short and cutting myself off from the flow. Lately, I’ve been stretching myself to use my brain in ways that are entirely new to me and realize that developing a healthy “money mindset” is critical. It seems clear that all my life, the attitudes I’ve held toward money have obstructed the flow of prosperity in my life. Now I am curious about this energy and feel inspired to experiment with it and see what I can do with a friendlier attitude toward it. So I’m working first and foremost on raising my “money vibration,” which goes hand in hand with pursuing professional opportunities.

But abundance isn’t only about money. It applies to all areas of life, and gratitude seems to be a fundamental part of it – which is why it felt so worthwhile to make a list of everything I was grateful for in 2015. This year, I intend to be conscious about how I am either allowing or cutting myself off from the flow of abundance in my life. To keep my sacred word front and center, I am printing the photograph below and mounting a small print on both the refrigerator and the inside cover of my daily planner and a larger, framed print on the wall of my work space.

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To supercharge my word for the year, I identified what habits and actions will draw more of the quality of abundance into my life. I also created a unique lantern for my meditation space with my sacred word and several other words to (literally) illuminate my aspirations and intentions for the upcoming year. This includes qualities that I anticipate will be useful to have in my toolbox for the year, to support what I want to accomplish. Words to uplift and inspire me when things don’t go the way I want them to. Reminders to help me stay on track.

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Here is another view of my multi-colored lantern:

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And here is a Spirit Lantern I made several years ago that ended up being a powerful manifestation tool back when I was pursuing a teaching job in a competitive job market:

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I’ve received numerous requests to share instructions for making Spirit Lanterns, so here goes!

Materials:

  • smooth glass jar or straight vase (I like to repurpose 16-oz. salsa jars)
  • sheet of handmade/natural/mulberry paper from an art or paper store (either a large sheet or a few 8 1/2″ x 11″ sheets)
  • Mod Podge (either matte or glossy)
  • paintbrush or foam brush
  • inkjet or laser printer
  • a few sheets of regular copy paper
  • tape or glue stick
  • glitter (optional)
  • silver and/or gold Sharpie pen (optional)
  • sparkly star stickers (optional)
  • charms
  • thread
  • hot glue gun and a few glue sticks
  • ribbon, raffia, or twine

Instructions:

Step One: Brainstorm, Layout, and Print Your Words

  1. Brainstorm and select the words you want to include on your lantern. For best results, limit your list to no more than 12 words.
  2. In a word processing program, type out your list of words, leaving space between each word. (Eventually, you will rip out each word by hand, so you’ll want to leave enough space to do so.) Use whatever font(s) please you. At times, I’ve used a variety of fonts for one lantern. Other times, I’ve only used one font (and think I like this effect best). I prefer to use a calligraphy or script font, such as Caflisch Script (a free download).
  3. Test print your words on a sheet of regular copy paper to make sure the words are the right size.
  4. Print your words on a sheet of mulberry or handmade paper. I recommend cutting this paper a little smaller than a regular sheet of 8 1/2″ x 11″ copy paper and then either taping or using a glue stick around the edges to adhere the mulberry paper to the regular copy paper so the delicate paper won’t get eaten by your printer. In the past, I’ve been able to print directly on the mulberry paper, but the printer I have now is too rough for such delicate paper. Use the “best” print quality setting.
  5. After printing onto the mulberry paper, detach it from the copy paper.
  6. Tear each word out by hand, leaving as little paper around the words as possible without tearing into the word. If there are difficult to tear fibers, use scissors to cut through them, and then continue tearing.

Step Two: Prepare and Cover Your Jar

  1. Begin by cleaning your jar and removing any label residue if you’re repurposing it. (Goo Gone does the job well.) Make sure the jar is dry before proceeding.
  2. Cut your decorative paper to a size that will cover your jar with some excess left over. You will want the paper to extend about 1/8″ above the rim, and a couple inches beyond the bottom (to cover the bottom surface).
  3. Paint the entire outside of the jar with Mod Podge.
  4. Cover the jar with the decorative paper. Smooth it out as completely as you can. Try to have as little overlap as possible where the two ends of the paper meet, but make sure there’s no gap. If there’s a gap or you don’t like the way the overlap looks, you could run a strip of matching washi tape vertically along the seam. Trim the paper so it’s flush with the top rim of the jar.
  5. Cut slits in the paper that will allow it to cover the bottom of the jar, and carefully fold the slits over the bottom so it is covered completely. Smooth it out as much as possible. If you end up not having enough excess on the bottom to cover it completely, you can cut out a circle nearly the size of the diameter and adhere it.

Step Three: Embellish Your Lantern with Words, Charms, and Other Details

  1. Apply Mod Podge to the places where you want your words. Smooth out the words.
  2. When all your words are adhered to the lantern, paint over the entire lantern with a coat of Mod Podge. Let dry.
  3. At this point, you can embellish the lantern with designs and/or stickers. I love to take out my metallic Sharpies for this and make spirals! You might want to decorate with a few shiny star stickers.
  4. Cover with another coat of Mod Podge, and let dry. I like to sprinkle some fine glitter in the Mod Podge for the final coat!
  5. If you are using charms, attach each one to a few inches of fine thread. Find places for them to hang so they are not covering any words. Put a dab of hot glue near the top of the rim, and attach a thread to the glue so the charm dangles in the space where you want it. Do the same for the remaining charms.
  6. Use hot glue to secure ribbon, raffia, or twine around the top of the lantern, to cover any threads in the glass (that allow the lids to screw on).
  7. Place a tea light or votive inside the lantern (inside a small votive holder if you wish), and enjoy and reflect on your illuminated words!

I recently listed Spirit Lanterns for sale in my Etsy shop, so if you’d like one but don’t feel like making one on your own, I’d love to create a customized lantern for you using your sacred words for the year and/or even an inspirational quote!

© 2016 Susan Meyer. All rights reserved. To use any or all of this blog post, include this exactly: Susan Meyer (SusanTaraMeyer.com) is a photographer, writer, clutter coach, feng shui consultant, and mindfulness mentor whose work is infused with a deep interest in the nature of mind and appreciation of the natural world. She lives on the Hudson River in Upstate New York. 

Creating Board Games Based on Children’s Literature

Creating Board Games Based on Children’s Literature

One of my favorite aspects of teaching is sharing quality literature with children – which is rooted in positive, engaging experiences I had reading and discussing books with my own children. When my daughter and son were in elementary school, they rarely were seen without books in their hands. They toted them around wherever they went. When my son was five, he began creating movie posters and sequels based on favorite books. It was something he loved to do! Some of my favorite family memories revolved around J. K. Rowling’s Harry Potter book series. My daughter began reading the series  when she was in third grade and introduced us to the first movie, which got us hooked. From then on, we spent summers anticipating the release of a new book or movie in the series. We completed the series through a combination of reading aloud and listening to audiobooks together.

Following the release of the fifth book, we created a Harry Potter Monopoly board game as a family project just for fun. But it could have been a great school project, as well. Creating a literature-based board game is a creative alternative to the standard book report. Comprehension can be demonstrated through the creation of questions written on cards, directions located on the board, and/or illustrations. For example, cards and game spaces could reference positive events that move a player forward and negative events that set a player back. Creating a board game also can be a means of reinforcing lessons in social studies, science, and math, and integrating technology. It even could be an alternative form of autobiography. The level of technology used in creating a board game can be varied according to factors such as student capabilities and home or classroom resources.

The rather involved and high-tech process of creating our Harry Potter game touched upon numerous learning standards for English Language Arts (ELA); Math, Science, and Technology; and the Arts. This post will describe in detail instructions for creating board games from books. It also will describe the specific procedures involved in designing our Harry Potter Monopoly game.

Choosing a Theme and Format

Materials:

  • Store-bought board games

After reading the book, the first step in creating your own game is to choose a theme. The rich details in the Harry Potter series offer endless possibilities. However, virtually any book or series that appeals to a child could be incorporated into a game. For example, picture books written by Eric Carle or Jan Brett are well suited to the basic Candyland format.

It goes without saying that there are many different kinds of board games. The next step is to examine a number of pre-existing games. Consider theme, rules, design, and whether they are based on skill, chance, cooperation, or a combination. After comparing and contrasting a few different games, you can begin thinking about what kind of game you would like to create. We chose to create a Monopoly game, which is a fairly complicated undertaking. However, simpler formats could be based on examples such as Candyland, Slides and Ladders, Trivial Pursuit, or Sorry.

Designing the Layout

Materials: 

  • Paper (larger is better)
  • Pencils, pens, makers, and/or crayons

After selecting a format and a theme, it’s time to design the board by sketching a rough version on a piece of paper. For example, you could create a meandering design like Candyland or a grid of squares like Chutes and Ladders.

Game templates (click to view and/or download)

This step might involve some mathematical computations, in order to create evenly sized spaces or determine how many spaces can fit. Now is not the time to make a final version of your game board. It is best to wait until the rest of the materials have been created so you can test it out to see if it really works.

We examined our store-bought Monopoly game and plotted the individual spaces on our Harry Potter board by identifying significant locations and innovations mentioned in the books. After reading the fifth book in the series, we decided on the following color-coded spaces:

Purple: Wizard Chess, Quidditch

Light blue: Privet Drive, The Burrow, Grimmauld Place

Magenta: Platform 9 ¾, The Leaky Cauldron (pub/bed and breakfast), Eeylops Owl Emporium

Orange: Flourish & Blotts (bookstore), Madam Malkins’ Robes for All Occasions, Ollivander’s (wand shop)

Red: The Three Broomsticks (pub), Zonko’s Joke Shop (had we made the game after reading subsequent books, this would have been Weasleys’ Wizard Wheezes) , Honeydukes (sweets shop)

Yellow: The Infirmary, The Library, Slytherin House

Green: Hufflepuff House, Ravenclaw House, Gryffindor House

Dark blue: Dumbledore’s Study, Ministry of Magic

There also were four spaces related to transportation (Hogwarts Express, The Knight Bus, Portkey, and Floo Powder) and two related to magical inventions (Invisibility Cloak and Time Turner). There were two special spaces: Snape’s Dungeon (lose a turn) and Lab Fee (make a payment). There were three Trivia Challenge spaces and three Chance spaces. When a player lands on these spaces, he or she chooses either a Trivia Challenge or Chance card (described below). The four corner spaces were: “Go” (collect money), Azkaban (jail), Free Parking, and “Go to Azkaban.”

Creating Cards

Materials:     

  • White cardstock or blank, unlined index cards
  • Scissors and/or a paper cutter
  • Stamps, stickers, pens, colored pencils, or crayons (low tech version)
  • Ink jet printer, page layout or drawing program, Internet access, browser, and clip art (high tech version)

Cards are an optional but effective means to demonstrate comprehension and incorporate the book’s events into the game. Blank index cards work well. They can be used whole or cut in half. First, write questions or statements on the front of the card. You could include positive events that move a player forward and negative events that set a player back. Then decorate the back with stamps, stickers, simple drawings that are easily reproduced, or even digital images.

If you decide not to use cards, directions and/or illustrations on the game board can serve the same purpose. For example, you could write directions on individual spaces that reflect events in the book. One (Winnie-the-Pooh related) example could be: “Tigger is stuck in a tree; go back three spaces.”

Here is an example of a Simple Board Game Template.

Our Harry Potter Monopoly game required two sets of cards. First, we created “Trivia Challenge” cards. For these, we came up with multiple-choice format questions about characters, places, and events in the books. This activity was rather time-consuming; we ended up with 250 cards and could have kept going! We started by writing the questions on index cards but then decided to give them a more “professional” appearance by putting them into a desktop publishing program, with 15 cards per sheet. (Correct answers were indicated in purple ink.) After formatting all of our comprehension questions, I searched for and then downloaded a whimsical PDF image of Hogwarts School of Witchcraft and Wizardry. I used the image to create a design to be printed on the back of the cards. Finally, I printed the cards on cardstock, front and back, and we cut them to size.

HP Trivia cards

After completing the set of Trivia Challenge cards, we made “Chance” cards with Harry Potter scenarios and consequences that involved going to a certain space on the board or paying or receiving money. This was fun for everyone. A couple examples we came up with were: “You came out in the wrong fireplace; go back 3 spaces” and, “Snape caught you wandering the corridor at night; advance to Snape’s Dungeon (but don’t collect any money for passing ‘Go’).” After creating about 50 of these cards, I designed a back, printed the cards on cardstock, and then we cut them out.

HP chance cards

Creating Game Pieces

Materials (choose one of the following):

  • Flattened marbles (in different colors)
  • Small, polished stones with or without stickers
  • Light cardboard (cereal box weight) and pens and/or pictures and glue
  • Small, dull stones, Mod Podge, glitter, a small paintbrush, and small photos or other images
  • Any other small objects

Almost any small objects can be used for game pieces. The most important considerations are that they can fit on the board spaces and be easily distinguished from one another. You can make a simple game piece by putting a sticker onto a smooth stone. Or you could make a simple cardboard game piece by drawing a picture or design on a small piece of light cardboard. (Alternatively, you could glue a picture or photo onto the cardboard.) Cut out the game piece. Next, cut a ½” rectangle from the same kind of cardboard. Cut a slit in the middle of the rectangle, going halfway through. Also cut a slit of the same length in the bottom of the playing piece, and fit the two pieces together to create a standing figure. Or simply save game pieces from commercial games.

We made magical game pieces out of small, smooth stones. First, I downloaded and printed images of several of the most prominent Hogwarts students onto plain white paper. For a low-tech alternative, children could draw and label their own characters on paper, cut out Harry Potter character images from print ads, or use stickers. We carefully cut around the images and then decoupaged the images onto the stones using Mod Podge mixed with a bit of fine glitter. We applied three coats of the Mod Podge and allowed the stones to dry between coats. Once the final coat dried, we had magically sparkling, beautiful, and durable game pieces.

HP game pieces

Printing Currency (for Harry Potter Monopoly)

Materials:

  • White cardstock
  • Internet access
  • Ink jet printer
  • Scissors

We decided that our Harry Potter Monopoly game could be played either with regular Monopoly money or wizard money. Conveniently, the Harry Potter section of the Activity Village Web site (http://www.activityvillage.co.uk/harry_potter_coins.htm) contained free downloads of galleons, sickles, and knuts. I printed out several sheets of all three kinds of wizard currency, on white cardstock. Then we cut out the coins. We had to make lots of them! It became clear that players could accumulate ridiculous amounts of galleons (the largest coin) during the game, so we decided to use regular Monopoly $50, $100, and $500 bills to represent 50, 100, and 500 galleons, respectively.

HP money

Creating Mortgage Cards (for Monopoly)

Materials:

  • Page layout or drawing program
  • Ink jet printer
  • White cardstock
  • Colored pencils or crayons

To make mortgage cards, I returned to the file in which I created board spaces. I enlarged the spaces, eliminated the images, and listed the rental amounts. There is actually a “dollars to galleons” converter on my favorite Harry Potter website, and I determined rental amounts by using the regular Monopoly properties as a guide. We decided to include both dollar and wizard currency amounts on the mortgage cards. This fairly time-consuming step was one I did on my own. After printing the mortgage cards, we colored them in manually with colored pencils because we liked the effect.

DSCF4878

Testing the Game

Before making the final version, it is highly recommended that you test the game by playing it a few times. That way, you can discover what elements need to be changed, eliminated, or added in order to make it work better. Refrain from making the final version until you have it just how you want it.

Before testing the game, it’s good to talk about how to help the creator(s) of the game by providing kind and constructive criticism. For example, you could establish a rule that before someone suggests an improvement, he or she must say one good thing about the game. Suggestions must be useful and neither critical nor hurtful. In the end, the creator(s) of the game has the final say.

When we tested our Harry Potter game, we found it cumbersome to work with a large amount of galleons, so we decided to also use regular Monopoly $10 and $20 bills to represent 10 and 20 galleons. We also realized that, depending on the age, math ability, and attention level of the players, using three types of wizard coins might slow down the game too much. Therefore, we added an option to use only galleons (the coin with the highest value). If players decide to use only galleons, they would also determine whether or not to round sickles to the nearest galleon. For example, if there are 17 sickles in a galleon and the cost of a given property is 20 galleons, 12 sickles, and 18 knuts, players could decide to simply consider the price to be 20 galleons, or to go an extra step and round the number of sickles up or down to the nearest galleon. In this case, 12 sickles would be rounded up, making the price 21 galleons.

We also realized that we needed to spell out on an instruction sheet the number of knuts in a sickle and the number of sickles in a galleon. In addition, we had to determine a realistic reward for answering a Trivia Challenge question correctly. Finally, we found it necessary to designate in writing the number of coins and bills players would receive at the beginning of the game.

 Constructing the Game Board

Recommended materials:

  • Corrugated cardboard, illustration board, a cereal box (unfolded and trimmed), or an old, unwanted game board
  • Pencil
  • Ruler
  • Scissors
  • Poster paper or tag board
  • Elmer’s glue and paintbrush
  • Permanent markers (Sharpies work well)

Optional materials:

  • Double-sided tape or spray adhesive
  • Wrapping paper, mulberry paper, etc.
  • Stickers
  • Clear contact paper
  • Waxed paper
  • Magazine photos
  • Paint
  • Felt
  • Colored paper
  • Aluminum foil

You can be as creative as you want with this step—though simpler tends to be better. In general, games are easier to play when the board is less cluttered. Begin by sketching the design using a pencil and a ruler. You could draw directly on cardboard, draw on poster paper and then glue the paper to the board, and/or cover the board by gluing wrapping paper or mulberry paper all around it. You could paint the board; glue on felt shapes, colored paper, or foil; draw on the board with permanent markers; create a collage out of magazine or book illustrations; or create designs, logos, etc. using a computer. To better preserve the board, consider laminating it with clear contact paper. (If you are drawing on poster paper that will be glued to the board, laminate the poster paper prior to gluing.) Make sure that the spaces are large enough for the game pieces to fit on them. We found that cutting the board in half is an easier alternative to creating a board that folds. If you use glue, you can prevent warping by wrapping the board(s) in waxed paper and pressing them overnight (or longer) under a stack of heavy books.

To make our Harry Potter game, I formatted the spaces in Quark Xpress (desktop publishing software), using the regular Monopoly board as a guide. This was the most time-consuming step. It involved searching the Internet for free and appropriate clip art to download. (Alternatively, children’s drawings could be used.) Images for the board spaces were comprised of: chapter illustrations from the books, stills from the Harry Potter movies, and general clip art found on teacher Web sites.

After selecting images for all of the spaces, I converted U.S. dollars to wizard currency with the help of The Harry Potter Lexicon Wizarding World Currency Converter. At the bottom of each of the spaces, I listed a price for that “property” both in wizard money and dollars to give players some flexibility about which kind of currency they want to use in any given game. After listing all of the prices (using the regular Monopoly board as a guide), the game spaces were ready to be printed onto cardstock and cut to size. We printed the game pieces with the colors at the top of the spaces already filled in and decided we didn’t like the way they looked. So we printed the game pieces a second time, leaving the color rectangles empty, and then colored them in ourselves with colored pencils. We all agreed that the colored pencil effect looked much better.

To assemble the game board, we lined up all of the spaces on a large piece of illustration board to make sure everything fit together all right. I cut the board in half (for more convenient storage) and used Elmer’s glue to cover each half with dark green mulberry paper embellished with gold threads. Next, we glued decorations to the center of the board (spaces for the Trivia and Chance cards, game logo, the Hogwarts shield, an illustration of Harry, and gold stars). Then I carefully arranged the game spaces onto clear contact paper (with the front of the game spaces against the sticky side of the contact paper), put glue on the back of the game spaces, attached the contact paper to the game board (making sure that the spaces lined up precisely), smoothed the contact paper down, and trimmed the edges. To prevent the board from warping, we individually wrapped both halves in waxed paper and pressed them under piles of books for 24 hours.

DSCF4866

Packaging and Storing

Materials:     

  • Shoe box or larger box
  • Permanent markers
  • Rubber bands
  • Ziplock bags
  • Small tin container (such as Altoids; optional) or fabric pouch

The final step is to organize and package all of the parts to the game. To keep the game intact, you’ll want to rubber-band cards together and keep game pieces and other paraphernalia in plastic ziplock bags and/or small tin containers. If you can’t find a box large enough for storing the game board, then store everything but the game board in a shoebox, and rubber-band the board to the shoebox, or just keep the board and shoebox next to each other. In a classroom setting, it’s preferable to store the board inside the box if at all possible. Decorate the box so it can be identified clearly. When the game and packaging is complete, the game can become part of the classroom resources for indoor recess or center time, or an addition to your family’s game library. Students or siblings can exchange their games with one another and enjoy playing one anothers’ games.

In our case, we rubber-banded the three sets of cards (Trivia Challenge, Chance, and mortgage) separately. Then we put the three different kinds of “coins” into ziplock bags. We stored game pieces and dice in a revamped Altoids tin. First, we created a “Game Pieces” label for the top of the tin. We laminated the label with wide tape and then attached it to the tin with double-sided tape. Then we measured and hot-glued a piece of felt to the inner, bottom surface of the tin to make a nice cushion for the game pieces. We stored everything (cards, money, game pieces) in a shoebox. We sometimes used glass jewels for hotels and tiny, colored pebbles (fish tank gravel) for houses. Other times, we used the regular Monopoly houses and hotels for our Harry Potter Monopoly set, but left them in the regular Monopoly set until they were needed.

DSCF4869

Conclusion

For our family, the process of creating a Harry Potter Monopoly game was much more involved than we initially anticipated. However, my children got to practice a variety of skills, had a great time demonstrating their comprehension of the Harry Potter book series, and were obviously proud of the way it turned out. The finished product was a beautiful, one-of-a-kind game that everyone was eager to play.

PlayingGame

© Susan Meyer and River Bliss Photography, 2015. Unauthorized use and/or duplication of this material, including all text and photos, without express and written permission from this website’s author/owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Susan Meyer and River Bliss Photography (susantarameyer.com) with appropriate and specific direction to the original content.

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